An excerpt from When the Sleeper Wakes, first published in 1899. Emphases are mine...

He observed one entire side of the outer room was set with rows of peculiar double cylinders inscribed with green lettering on white that harmonized With the decorative scheme of the room, and in the centre of this side projected a little apparatus about a yard square and having a white smooth face to the room. A chair faced this. He had a transitory idea that these cylinders might be books, or a modern substitute for books, but at first it did not seem so.

The lettering on the cylinders puzzled him. At first sight it seemed like Russian. Then he noticed a suggestion of mutilated English about certain of the words.

"oi Man huwdbi Kin"

forced itself on him as "The Man who would be King." "Phonetic spelling," he said. He remembered reading a story with that title, then he recalled the story vividly, one of the best stories in the world. But this thing before him was not a book as he understood it. He puzzled out the titles of two adjacent cylinders. 'The Heart of Darkness,' he had never heard of before nor 'The Madonna of the Future'--no doubt if they were indeed stories, they were by post Victorian authors.

He puzzled over this peculiar cylinder for some time and replaced it. Then he turned to the square apparatus and examined that. He opened a sort of lid and found one of the double cylinders within, and on the upper edge a little stud like the stud of an electric bell. He pressed this and a rapid clicking began and ceased. He became aware of voices and music, and noticed a play of colour on the smooth front face. He suddenly realised what this might be, and stepped back to regard it.

On the flat surface was now a little picture, very vividly coloured, and in this picture were figures that moved. Not only did they move, but they were conversing in clear small voices. It was exactly like reality viewed through an inverted opera glass and heard through a long tube. His interest was seized at once by the situation, which presented a man pacing up and down and vociferating angry things to a pretty but petulant woman. Both were in the picturesque costume that seemed so strange to Graham. "I have worked," said the man, "but what have you been doing?"

"Ah!" said Graham. He forgot everything else, and sat down in the chair. Within five minutes he heard himself named, heard "when the Sleeper wakes," used jestingly as a proverb for remote postponement, and passed himself by, a thing remote and incredible. But in a little while he knew those two people like intimate friends.

At last the miniature drama came to an end, and the square face of the apparatus was blank again...

He went back to the apparatus in the other room, and had soon puzzled out the method of replacing the cylinders by others. As he did so, it came into his mind that it must be these little appliances had fixed the language so that it was still clear and understand- able after two hundred years. The haphazard cylinders he substituted displayed a musical fantasia. At first it was beautiful, and then it was sensuous.

Uh oh.

He presently recognized what appeared to him to be an altered version of the story of Tannhauser. The music was unfamiliar. But the rendering was realistic, and with a contemporary unfamiliarity. Tannhauser did not go to a Venusberg, but to a Pleasure City.

Double uh oh.

What was a Pleasure City? A dream, surely, the fancy of a fantastic, voluptuous writer.

He became interested, curious. The story developed with a flavour of strangely twisted sentimentality. Suddenly he did not like it. He liked it less as it proceeded.

And why is that?

He had a revulsion of feeling. These were no pictures, no idealisations, but photographed realities. He wanted no more of the twenty-second century Venusberg. He forgot the part played by the model in nineteenth century art, and gave way to an archaic indignation.

Ah. It's one of those movies.

He rose, angry and half ashamed at himself for witnessing this thing even in solitude. He pulled forward the apparatus, and with some violence sought for a means of stopping its action...